![]() And the second stage is known as the reamping stage. This is where the clean signal is first recorded. The first stage is referred to as the recording stage. One thing you should note is reamping is actually a two-stage process. It allows them to process an already recorded clean guitar sound through different guitar effect pedals and amps to get the right tone. This is a widely used technique by guitar players and studio engineers and has been around for a while. Just as the name suggests, reamping is a technique that involves the taking of a pre-recorded audio track and re-amplifying it by passing it through an amp or effect units in order to come out with a tone that is a great fit for the song.Īlthough reamping is mostly used for guitars, recording and studio engineers reamp bass guitars, drums, and even vocals sometimes by running it through different outboard gears, effects, and more. What Does Reamping Mean & How Does It Work? What Type of DI Box is Good for Reamping?.What Does Reamping Mean & How Does It Work?.The digital to analog conversion is probably not as accurate as it could be. This is what I'm guessing is contributing to what you're hearing more so than anything else (cabling, performance, pickups). What I ended up discovering was that my converters (old Digidesign 192's) didn't reproduce the low end correctly on the D/A conversion. That made it significantly better but still not really as close as I would like it. As some said, it wasn't hitting the amp hard enough, so I had to tweak my gain staging going out of PT and hitting the amp. What I discovered is basically what you discovered, something sounded not as good. I recorded my DI signal simultaneously and quickly swapped over to reamping, to compare sounds. When I was setting it up I tried to do as accurate an A/B as possible, so I played through my amps recording into PT. These things are happening so fast and there are so many processes interacting at once, it would be a beast to model digitally, let alone try to reproduce as something that didn't completely suck balls and set back the reputation of digital modeling a decade.Ī lot has already been said in the thread but I can say I've done a lot of experimenting with this on my rig and I've come to a few conclusions I can share with you.įirst of all, I bought a Radial JD7 for reamping as well as splitting to different amps. It's offset by different amounts relative to the frequency. In particular, phasing gets complicated because the collapsing flux is not fully in phase with the original signal. It gets real complicated as the string vibration dies out, one string pluck is followed by another while the filter is still working on the previous one, as a string is bent, changing the generated frequency, full on "all six" chords, and dive-bombing with a wammy bar. Even that is fairly straightforward if you are using an ebow or something and the signal is constant. ![]() Where things get magical is when the inductor is ALSO a generator, actually creating the AC signal that it is subsequently filtering. That inductor is just sitting there doing it's normal thing with expanding and collapsing magnetic flux fields as signals are sent thru the filter. With a fixed iron-core inductor, it's just physics. (See Jimi Hendrix, Leslie West, etc) This is simply not possible when reamping. Entire careers have been built around this one. The sympathetic vibrations of the strings, neck, and body are part of the feedback loop and it can be dynamically "played" by physical movement and changes to the guitar controls. Lastly, if you have the amp dimed and the gain cranked, you have a kind of pseudo-instrument happening in the form of resonant feedback. That changes the filter characteristics yet again. If you plug the guitar directly into a passive DI, the pickups are seeing another inductance in the form of a transformer. The filtering effect happens a bit differently. The reactance will be different, so the relationship between the pickups and the rest of the chain will be altered. When you insert pedals, you are breaking up that filter and inserting buffer stages that also change certain characteristics. It's kind of a separate effect that most players are not really consciously aware of. That shapes the sound to varying degrees and since it's reactive, it constantly changes with your pick attack. That inductance combines with the guitar volume pot, tone pot & cap, and amp input grid leak resistors (and grid stoppers in some designs) to form a dynamic RLC audio filter. Like any generator, it has coils of wire that have reactance and inductance. Things you can't recreate digitally.įirst, a guitar pickup is basically an AC generator.
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